• November 2022 MBR The Theatre/Cinema Shelf

    From Midwest Book Review@3:633/280.2 to All on Sat Dec 3 04:34:22 2022
    The Theatre/Cinema Shelf

    Straight Lady
    Chris Enss, author
    Howard Kazanjian, author
    The Lyons Press
    www.lyonspress.com
    c/o The Globe Pequot Press
    246 Goose Lane, Suite 200, Guilford, CT 06437
    www.globepequot.com
    9781493060405, $30.00, HC, 208pp

    https://www.amazon.com/Straight-Lady-Margaret-Dumont-Brother/dp/1493060406

    Synopsis: Margaret Dumont (born Daisy Juliette Baker; October 20, 1882 - Ma= rch 6, 1965) was a Broadway acting regular by the 1920s. But it was when sh=
    e started appearing in film with the Marx Brothers that Dumont found lastin=
    g fame.

    Tall and regal in bearing, her character provided the perfect foil to the w= isecracking Groucho Marx in a series of films including A Night at the Oper=
    a and Duck Soup. Her character's seemingly obliviousness to insult led to t=
    he widespread belief, encouraged by Groucho himself, that Dumont was a humo= rless person who never got the joke. a belief she contradicted in a 1942 in= terview. "I'm not a stooge," she said. "I'm a straight lady. There's an art=
    to playing straight. You must build up your man but never top him and neve=
    r steal the laughs from him.

    Straight Lady: The Life and Times of Margaret Dumont, "The Fifth Marx Broth= er" by the team of authors and cinema historians Chris Enss and Howard Kaza= njian focuses on the Dumont and her role in the production of the comedy te= ams' most successful films. Several books have been previously written abou=
    t the Marx Brothers as a comedy family and about their individual lives, bu=
    t there haven't been any cinematic histories written about the contribution=
    of Margaret Dumont to their success -- until now!

    Critique: Informed and informative, Straight Lady: The Life and Times of Ma= rgaret Dumont, "The Fifth Marx Brother" must for the personal reading lists=
    of motion picture enthusiasts, cinematic film historians, and the legions =
    of Marx Brothers' fans. While unreservedly recommended for personal, profes= sional, community, college, and university library 20th Century Cinematic H= istory & Biography collections, it should be noted that "Straight Lady: The=
    Life and Times of Margaret Dumont, "The Fifth Marx Brother" is also availa= ble in a digital book format (Kindle, $21.49).

    Editorial Note: Chris Enss and Howard Kazanjian have written a number of aw= ard-winning books including "The Young Duke: The Early Life of John Wayne" = and "Cowboys, Creatures and Classics: The Story of Republic Pictures".

    Horror Films of 2000-2009
    John Kenneth Muir
    McFarland & Company
    PO Box 611, Jefferson NC 28640
    https://mcfarlandbooks.com
    9781476678054, $75.00, HC, 699pp

    https://www.amazon.com/Horror-Films-2000s-John-Kenneth/dp/1476678057

    Synopsis: Horror films have always reflected their audiences' fears and anx= ieties. In the United States, the 2000s were a decade full of change in res= ponse to the 9/11 terrorist attacks, the contested presidential election of=
    2000, and the wars in Iraq and Afghanistan. These social and political cha= nges, as well as the influences of Japanese horror and New French extremism=
    , had a profound effect on American horror filmmaking during the 2000s.

    "Horror Films of 2000-2009" by cinema historian John Kenneth Muir is a film= ography that covers more than 300 horror films released in America from 200=
    0 through 2009, including such popular forms as found footage, torture porn=
    , and remakes. Each entry covers a single film and includes credits, a syno= psis, and a lengthy critical commentary. The appendices include common horr=
    or conventions, a performer hall of fame, and memorable ad lines.

    Critique: Featuring black/white illustrations, and organized chronologicall=
    y by year, "Horror Films of 2000-2009" is a massive coffee-table style volu=
    me (8.5 x 1.4 x 11 inches, 4.18 pounds) that is an comprehensive, extraordi= nary, essential, and critically important addition to personal, professiona=
    l, community, and academic library 21st Century Cinematic History collectio= ns.

    Editorial Note: John Kenneth Muir (http://johnkennethmuir.com) is an Americ=
    an literary critic and award-winning author. As of 2022, he has written 30 = reference books in the fields of film and television, with a particular foc=
    us on the horror and science fiction genres.

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    Midwest Book Review
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    Midwest Book Review

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