• Re: Is use of literary person changing in indie SF?

    From Scott Dorsey@3:633/280.2 to All on Mon Mar 25 02:48:28 2024
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first person,
    but with the narrator changing every chapter.

    My conjecture is that without editorial guidelines (or call it interference >if you like) newer authors feel more free to jump around.

    Blame it on all those New Wave kids.
    --scott

    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

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  • From Michael F. Stemper@3:633/280.2 to All on Mon Mar 25 04:16:51 2024
    On 24/03/2024 10.48, Scott Dorsey wrote:
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first person,
    but with the narrator changing every chapter.

    And, since all four of them had the same "voice", I found myself regularly flipping back to the first page of the chapter to figure out who was
    speaking.

    --
    Michael F. Stemper
    Deuteronomy 10:18-19


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  • From Scott Dorsey@3:633/280.2 to All on Mon Mar 25 04:29:04 2024
    Michael F. Stemper <michael.stemper@gmail.com> wrote:
    On 24/03/2024 10.48, Scott Dorsey wrote:
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first person,
    but with the narrator changing every chapter.

    And, since all four of them had the same "voice", I found myself regularly >flipping back to the first page of the chapter to figure out who was >speaking.

    Yes, I had a similar experience. He did not do it as well as he might have. --scott
    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

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  • From Tony Nance@3:633/280.2 to All on Mon Mar 25 06:45:32 2024
    On 3/23/24 11:47 PM, Ted Nolan <tednolan> wrote:
    One thing I have noticed recently in "indie" SF and fantasy books
    is a use of literary "person" I don't recall in fiction from previous
    years.

    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    My conjecture is that without editorial guidelines (or call it interference if you like) newer authors feel more free to jump around.

    Has anyone else noticed this, or is it something that has always been
    around and I am just picking up on it now for some reason?

    If it is a newish thing, is it happening in other genres (mystery, romance etc) or largely in SF? (I will note that in romancey SF, I have also noticed dual first person narratives of late).

    I find I don't mind it, btw.

    I'm reasonably sure that this happens in some of the later Kate Daniels
    books, but I didn't grab any to verify it.

    I also don't mind it, provided it's not confusing or distracting.
    - Tony

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  • From Ahasuerus@3:633/280.2 to All on Mon Mar 25 07:01:49 2024
    On 3/23/2024 11:47 PM, Ted Nolan <tednolan> wrote:
    One thing I have noticed recently in "indie" SF and fantasy books
    is a use of literary "person" I don't recall in fiction from previous
    years.

    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not. [snip]

    This is reasonably common in online fanfiction and other types of online fiction. Perhaps it's spreading to other venues now that the Royal
    Road-Amazon Express is a major force in indie publishing.

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  • From Jerry Brown@3:633/280.2 to All on Mon Mar 25 18:15:56 2024
    On Sun, 24 Mar 2024 12:16:51 -0500, "Michael F. Stemper" <michael.stemper@gmail.com> wrote:

    On 24/03/2024 10.48, Scott Dorsey wrote:
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first person,
    but with the narrator changing every chapter.

    And, since all four of them had the same "voice", I found myself regularly >flipping back to the first page of the chapter to figure out who was >speaking.

    I got the large format illustrated version of "Number of the Beast"
    which helpfully (and often necessarily) had the current POV character identified at the top of each page.

    --
    Jerry Brown

    A cat may look at a king
    (but probably won't bother)

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  • From Michael F. Stemper@3:633/280.2 to All on Tue Mar 26 05:13:41 2024
    On 25/03/2024 02.15, Jerry Brown wrote:
    On Sun, 24 Mar 2024 12:16:51 -0500, "Michael F. Stemper" <michael.stemper@gmail.com> wrote:
    On 24/03/2024 10.48, Scott Dorsey wrote:
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first person, >>> but with the narrator changing every chapter.

    And, since all four of them had the same "voice", I found myself regularly >> flipping back to the first page of the chapter to figure out who was
    speaking.

    I got the large format illustrated version of "Number of the Beast"
    which helpfully (and often necessarily) had the current POV character identified at the top of each page.

    I just pulled my MMPB off the shelf, and saw that it does this on the odd-numbered pages. Apparently, I was looking back to find out the title
    of the chapter, although I can't think of why.

    --
    Michael F. Stemper
    The name of the story is "A Sound of Thunder".
    It was written by Ray Bradbury. You're welcome.


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  • From Robert Carnegie@3:633/280.2 to All on Tue Mar 26 06:10:04 2024
    On 24/03/2024 03:47, Ted Nolan <tednolan> wrote:
    One thing I have noticed recently in "indie" SF and fantasy books
    is a use of literary "person" I don't recall in fiction from previous
    years.

    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    My conjecture is that without editorial guidelines (or call it interference if you like) newer authors feel more free to jump around.

    Has anyone else noticed this, or is it something that has always been
    around and I am just picking up on it now for some reason?

    If it is a newish thing, is it happening in other genres (mystery, romance etc) or largely in SF? (I will note that in romancey SF, I have also noticed dual first person narratives of late).

    I find I don't mind it, btw.

    I don't know if it's a new thing, or, as I
    think you're suggesting, a new lack of an editor
    slapping a new writer into using first-person
    or third-person but to stick to one.

    Joe Haldeman did it all over _Buying Time_ (1989)
    also titled _The Long Habit of Living_.
    And _Ghosts from the Past_ (2000) by Graeme Grant...
    oh, I Think it's all third person, it just switches
    point of view a lot. And sometimes italics.
    And some of it is stream-of-conscious-y.
    It's a tie-in to a remake of _Randall and
    Hopkirk Deceased_, a private detective fantasy
    series in which Marry Hopkirk is killed and comes
    back as a ghost, and I read it quite recently.

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  • From Paul S Person@3:633/280.2 to All on Wed Mar 27 02:51:07 2024
    On Mon, 25 Mar 2024 13:13:41 -0500, "Michael F. Stemper" <michael.stemper@gmail.com> wrote:

    On 25/03/2024 02.15, Jerry Brown wrote:
    On Sun, 24 Mar 2024 12:16:51 -0500, "Michael F. Stemper"
    <michael.stemper@gmail.com> wrote:
    On 24/03/2024 10.48, Scott Dorsey wrote:
    Ted Nolan <tednolan> <tednolan> wrote:
    In particular, I have noticed books which are largely written in
    the first person, but which have cutaways to various third person
    viewpoints, perhaps omniscient, perhaps not.

    Heinlein did that occasionally. Also he wrote a book using first = person,
    but with the narrator changing every chapter.

    And, since all four of them had the same "voice", I found myself = regularly
    flipping back to the first page of the chapter to figure out who was
    speaking.
    =20
    I got the large format illustrated version of "Number of the Beast"
    which helpfully (and often necessarily) had the current POV character
    identified at the top of each page.

    I just pulled my MMPB off the shelf, and saw that it does this on the >odd-numbered pages. Apparently, I was looking back to find out the title
    of the chapter, although I can't think of why.

    IIRC, I just gave up on it. Either that, or (for some reason) I had no
    trouble knowing who it was.

    Or, of course, I just didn't notice the switches between narrators.
    This was not my favorite book. I liked the alternate version better.
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- MBSE BBS v1.0.8.4 (Linux-x86_64)
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  • From Michael F. Stemper@3:633/280.2 to All on Thu Mar 28 00:48:44 2024
    On 26/03/2024 10.51, Paul S Person wrote:
    On Mon, 25 Mar 2024 13:13:41 -0500, "Michael F. Stemper" <michael.stemper@gmail.com> wrote:
    On 25/03/2024 02.15, Jerry Brown wrote:

    I got the large format illustrated version of "Number of the Beast"
    which helpfully (and often necessarily) had the current POV character
    identified at the top of each page.

    I just pulled my MMPB off the shelf, and saw that it does this on the
    odd-numbered pages. Apparently, I was looking back to find out the title
    of the chapter, although I can't think of why.

    IIRC, I just gave up on it. Either that, or (for some reason) I had no trouble knowing who it was.

    Or, of course, I just didn't notice the switches between narrators.
    This was not my favorite book. I liked the alternate version better.

    The alternative version being _The Pursuit of the Pankera_? Ted Nolan's description of it in a different thread makes it sound worth looking into.

    As far as TNotB not being a favorite, my first reading of it put me
    off of Heinlein for a decade. (Since then, it's become a comfort read,
    but please don't tell anybody.)

    --
    Michael F. Stemper
    Isaiah 58:6-7


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  • From Paul S Person@3:633/280.2 to All on Thu Mar 28 03:11:31 2024
    On Wed, 27 Mar 2024 08:48:44 -0500, "Michael F. Stemper" <michael.stemper@gmail.com> wrote:

    On 26/03/2024 10.51, Paul S Person wrote:
    On Mon, 25 Mar 2024 13:13:41 -0500, "Michael F. Stemper"
    <michael.stemper@gmail.com> wrote:
    On 25/03/2024 02.15, Jerry Brown wrote:

    I got the large format illustrated version of "Number of the Beast"
    which helpfully (and often necessarily) had the current POV =
    character
    identified at the top of each page.

    I just pulled my MMPB off the shelf, and saw that it does this on the
    odd-numbered pages. Apparently, I was looking back to find out the =
    title
    of the chapter, although I can't think of why.
    =20
    IIRC, I just gave up on it. Either that, or (for some reason) I had no
    trouble knowing who it was.
    =20
    Or, of course, I just didn't notice the switches between narrators.
    This was not my favorite book. I liked the alternate version better.

    The alternative version being _The Pursuit of the Pankera_? Ted Nolan's >description of it in a different thread makes it sound worth looking =
    into.

    Indeed. The Kindle edition, IIRC, marked the /exact/ point at which
    the two start to diverge so, if it seems overly familiar at first,
    just keep reading.

    As far as TNotB not being a favorite, my first reading of it put me
    off of Heinlein for a decade. (Since then, it's become a comfort read,
    but please don't tell anybody.)
    --=20
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- MBSE BBS v1.0.8.4 (Linux-x86_64)
    * Origin: A noiseless patient Spider (3:633/280.2@fidonet)