• _Lyorn_ by Steven Brust

    From Robert Woodward@3:633/280.2 to All on Sun Apr 14 14:48:23 2024
    This novel starts immediately after _Hawk_. While Vlad has managed to
    get the Right Hand of the Jhereg off his back, now the Left Hand (the sorceresses) is after him with lethal intent. He hides out in a theater
    (since they have significant shielding against sorcery because of
    paranoia over their material being stolen). He still has to plan a way
    to get the Left Hand off his back. Because he is staying at the theater,
    he ends being involved with their problems as well. The theatrical
    company is putting on a musical (³Song of the Presses² which is about
    the suppression of a play about the 14th Cycle Lyorn Emperor (who had
    made a few mistakes, was in a hole because of those mistakes, and kept
    on digging). The House of Lyorn doesn¹t like the musical either and is maneuvering to shut it down.

    Each of the 17 chapters start with a page or more of the libretto of
    ³Song of the Presses². Vlad witnesses some of the rehearsals which
    contain more of that (including all 44 lines of ³I am the very model of
    a 14th Cycle dramaturge², which is why I know that ³Song of the Presses²
    is a Gilbert and Sullivan pastiche). Also, Vlad is reading a book about
    the whole affair (the original incident, the play about the incident,
    and the suppression of the play) and extracts of that appear in the
    novel as well.

    Vlad finds ways to resolve all problems. BTW, the Demon buys the
    theater, but not control of the theatrical company, to preempt one Lyorn maneuver; I wonder what he is going to do with it.

    There is also some extraneous material (e.g., Sethra Lavode has a
    meeting at Dzur Mountain; Verra answers some questions) that might be
    hints of the 19th Vlad novel (_The Final Contract_). Of course, the 18th
    Vlad novel, _Chreotha_ has to be written first. Also, two different side comments allude to events in _The Baron of Magister Valley_.

    --
    "We have advanced to new and surprising levels of bafflement."
    Imperial Auditor Miles Vorkosigan describes progress in _Komarr_. ‹-----------------------------------------------------
    Robert Woodward robertaw@drizzle.com

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  • From Tony Nance@3:633/280.2 to All on Mon Apr 22 00:15:08 2024
    On 4/14/24 12:48 AM, Robert Woodward wrote:
    This novel starts immediately after _Hawk_. While Vlad has managed to
    get the Right Hand of the Jhereg off his back, now the Left Hand (the sorceresses) is after him with lethal intent. He hides out in a theater (since they have significant shielding against sorcery because of
    paranoia over their material being stolen). He still has to plan a way
    to get the Left Hand off his back. Because he is staying at the theater,
    he ends being involved with their problems as well. The theatrical
    company is putting on a musical (³Song of the Presses² which is about
    the suppression of a play about the 14th Cycle Lyorn Emperor (who had
    made a few mistakes, was in a hole because of those mistakes, and kept
    on digging). The House of Lyorn doesn¹t like the musical either and is maneuvering to shut it down.

    Each of the 17 chapters start with a page or more of the libretto of
    ³Song of the Presses². Vlad witnesses some of the rehearsals which
    contain more of that (including all 44 lines of ³I am the very model of
    a 14th Cycle dramaturge², which is why I know that ³Song of the Presses² is a Gilbert and Sullivan pastiche). Also, Vlad is reading a book about
    the whole affair (the original incident, the play about the incident,
    and the suppression of the play) and extracts of that appear in the
    novel as well.

    Vlad finds ways to resolve all problems. BTW, the Demon buys the
    theater, but not control of the theatrical company, to preempt one Lyorn maneuver; I wonder what he is going to do with it.

    There is also some extraneous material (e.g., Sethra Lavode has a
    meeting at Dzur Mountain; Verra answers some questions) that might be
    hints of the 19th Vlad novel (_The Final Contract_). Of course, the 18th
    Vlad novel, _Chreotha_ has to be written first. Also, two different side comments allude to events in _The Baron of Magister Valley_.


    Thanks for posting this. I had forgotten it was out, and I ordered it as
    soon as I saw your post[1]. I just finished it - very enjoyable. As
    always, Vlad has some interesting times ahead.

    Tony
    [1] This is one of the "two books in a box" that I mentioned in another thread.

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  • From -dsr-@3:633/280.2 to All on Wed Apr 24 03:14:29 2024
    On 2024-04-14, Robert Woodward <robertaw@drizzle.com> wrote:
    Each of the 17 chapters start with a page or more of the libretto of
    ³Song of the Presses². Vlad witnesses some of the rehearsals which
    contain more of that (including all 44 lines of ³I am the very model of
    a 14th Cycle dramaturge², which is why I know that ³Song of the Presses² is a Gilbert and Sullivan pastiche).

    Ah, but it is not. That song is.

    All of the librettos are pastiches of our-universe musicals or operettas, including classics and quite modern works (i.e. the musical episode of
    Buffy The Vampire Slayer).

    This slowed down my reading significantly, since I had to sing all of them.

    And most are not in my range.

    Overall, I quite enjoyed this.

    -dsr-

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  • From Chris Buckley@3:633/280.2 to All on Wed Apr 24 10:56:03 2024
    On 2024-04-23, -dsr- <dsr-usenet@randomstring.org> wrote:
    On 2024-04-14, Robert Woodward <robertaw@drizzle.com> wrote:
    Each of the 17 chapters start with a page or more of the libretto of
    ³Song of the Presses². Vlad witnesses some of the rehearsals which
    contain more of that (including all 44 lines of ³I am the very model of
    a 14th Cycle dramaturge², which is why I know that ³Song of the Presses² >> is a Gilbert and Sullivan pastiche).

    Ah, but it is not. That song is.

    All of the librettos are pastiches of our-universe musicals or operettas, including classics and quite modern works (i.e. the musical episode of
    Buffy The Vampire Slayer).

    This slowed down my reading significantly, since I had to sing all of them.

    And most are not in my range.

    Overall, I quite enjoyed this.
    -dsr-

    Yes, a very impressively wide range of sources for the songs. If you
    want to hear the originals, Brust posted YouTube links for each chapter.
    https://dreamcafe.com/2024/03/29/lyorn-discussion-major-spoilers/

    A fine book, but we're reaching the end of the Cycle and tying everything together is only partway done. The main _Lyorn_ plot was mostly resolved
    but there were lots of series threads left dangling. It will be interesting
    to see if he can pull it together (2 books left).

    _Lyorn_ is a direct sequel to _Hawk_. I should have re-read _Hawk_ first; I
    had forgotten too much.

    Chris


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  • From Robert Woodward@3:633/280.2 to All on Wed Apr 24 14:53:30 2024
    In article <slrnv2fr3l.5kk.dsr-usenet@randomstring.org>,
    -dsr- <dsr-usenet@randomstring.org> wrote:

    On 2024-04-14, Robert Woodward <robertaw@drizzle.com> wrote:
    Each of the 17 chapters start with a page or more of the libretto of ³Song of the Presses². Vlad witnesses some of the rehearsals which contain more of that (including all 44 lines of ³I am the very model of
    a 14th Cycle dramaturge², which is why I know that ³Song of the Presses²
    is a Gilbert and Sullivan pastiche).

    Ah, but it is not. That song is.


    Oh ... checks link in other reply ... I really should have recognized "76 catapults.."

    --
    "We have advanced to new and surprising levels of bafflement."
    Imperial Auditor Miles Vorkosigan describes progress in _Komarr_. ‹¨«-----------------------------------------------------
    Robert Woodward robertaw@drizzle.com

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