• A Beloved Pioneer Story Returns, But Early Clues Suggest A Different Di

    From Ubiquitous@3:633/10 to All on Mon Apr 20 04:30:44 2026
    Subject: A Beloved Pioneer Story Returns, But Early Clues Suggest A Different Direction

    Laura Ingalls Wilder fans, myself included, have awaited Netflix's new
    version of her iconic "Little House on the Prairie" story with both trepidation and tempered excitement. When the show airs on July 9, will
    it be a close adaptation to the novel? Will it incorporate more of the
    history of the real Ingalls family? Will it resemble the 50-year-old
    series directed by and starring Michael Landon?

    As a scholar of both Laura Ingalls Wilder and her daughter Rose Wilder
    Lane, I've placed my cautious hopes on fidelity to the books with
    inclusions of details from real life that Wilder chose to leave out of
    her novels. Netflix's teaser for its new version of "Little House on
    the Prairie," released Monday, provides enough tantalizing scenes to
    make both fans of the books and fans of the original series wonder
    about the show's direction and overall vision. It's an intriguing bite, promising some fidelity to the novel but also completely new story
    lines. Despite my personal preference for faithful book adaptations,
    I'm willing to give it a chance.

    Here is your first official look at Little House on the
    Prairie.

    Meet the Ingalls family as they discover what "home" really
    means. Little House on the Prairie, based on the beloved books,
    premieres July 9, only on Netflix. pic.twitter.com/epUjaJL3RG

    - Netflix (@netflix) April 13, 2026

    Appropriately enough, Laura's voiceover begins with the same phrase
    that opens "Little House in the Big Woods," the first novel in the autobiographical fiction Little House series, written by Laura Ingalls
    Wilder in 1932: "Once upon a time." Beginning the novel and now the new
    series with these words evokes a fairy tale quality, which the video
    sequence and the music behind the words support. So far, so good.
    Laura's voiceover offers a preview of the new series that is an apt
    summary of the book:

    Once upon a time, Ma and Pa and Mary and Laura left the Big
    Woods of Wisconsin and moved to the prairie, where a new life
    was waiting for them. Every day and every night was an
    adventure. And even though they were all alone, and very small
    against the sky and the stars, they were happy because they
    were a family - and they were together.

    The video sequence depicts the Ingalls family leaving the Big Woods by
    wagon, majestic scenes of a prairie with a river cutting through it,
    and a town teeming with people where the Ingalls girls, wearing straw
    hats, step out of their covered wagon and into the dusty streets. Laura exchanges glances with another child, perhaps meant to be from the
    Osage tribe, and Mary shares a longing look with a teenaged boy. Other
    scenes feature Laura and Pa running through a cornfield, Pa and Ma
    rolling a log, probably to build their cabin, and Pa joyfully swinging
    Ma around inside the completed "little house." The emotional roller
    coaster continues as Pa looks at a distraught Ma with tears in his eyes
    and the girls giggle while wearing flower crowns. The final scenes show
    the Ingalls family around a campfire against the backdrop of an
    enormous Kansas sky filled with stars while Pa plays his fiddle. All in
    all, more positives than negatives.

    The teaser is a complete package, introducing the characters, the story background, the location, and important themes of adventure, isolation (despite the town scene), family togetherness, and love. The music is fast-paced and vaguely 19th-century in tone, while the scenes form a
    rapid montage of both iconic and tantalizing images proclaiming that
    this version of "Little House on the Prairie" is something altogether
    new, neither a "by the book" rendition nor a reboot of the classic
    series that premiered in 1974 and lasted for 12 years.

    Predictably, fans of both the books and the classic series have raised
    calls of alarm over the Netflix trailer and details that have leaked
    out. On the "Little House on the Prairie" Facebook group page, members
    declare their undying loyalty to the original series, expressing doubt
    that departing from Michael Landon's story lines will benefit the new
    show.

    Some posts declare it scandalous that the Olesons don't appear to be
    part of the Netflix series. Never mind that the Oleson family is not introduced in the "Little House on the Prairie" novel, only in the
    following book, "On the Banks of Plum Creek," where they own the town mercantile. A "Little House" show without Harriet, Nels, Nellie, and
    Willie is beyond imagination for Landon "Little House" loyalists, as is
    a town that is not Walnut Grove, Minnesota. But the original television
    series sowed the seeds of its fans' confusion regarding the location
    and storyline of the Netflix version of "Little House on the Prairie."
    It used the title Wilder employed for her book about the Ingalls'
    pioneer days in Kansas, but centered the story on Wilder's book about
    the family's years along Plum Creek in southwest Minnesota, near the
    town of Walnut Grove.

    Laura fans (many of whom happily call themselves "bonnetheads") are
    hoping for a rendition of the story that runs much closer to the Little
    House books or the real lives of the Ingalls family than that offered
    by Michael Landon. However, the Netflix trailer appears to reveal a
    different intent. There are some bothersome inconsistencies with the
    novel. Netflix Mary's hair is definitely not blonde. The girls should
    be wearing cloth bonnets, not straw hats. Their ages are all wrong, and
    where is Baby Carrie?

    Both sets of Laura fans have missed the pivotal moment in cultural
    literacy that the Netflix series represents. The "Little House" story
    and characters have become so iconic since their first appearance in
    1932 that the details of how the story is told can be changed without
    altering the characterization, the overarching story, and, most
    importantly, its themes or lessons.

    The themes of all three "Little House on the Prairie" versions are the
    same: simple, family-focused pleasures and adventures in a new land of opportunity that will require hard work and perseverance from its new residents. In a speech to the Detroit Book Fair in 1937, Laura Ingalls
    Wilder explained her motivation for writing the Little House series. "I
    wanted the children now to understand more about the beginning of
    things, to know what is behind the things they see - what it is that
    made America as they know it."

    Based on the just-released teaser, Netflix's version of "Little House
    on the Prairie" seems poised to tell Wilder's story, though the strands
    it weaves together might not be the same ones used by Michael Landon in
    the original television series or by Wilder herself. Even for a purist
    like myself, Netflix's new way of telling an old story might be just
    right.

    --
    Democrats and the liberal media hate President Trump more than they
    love this country.


    --- PyGate Linux v1.5.14
    * Origin: Dragon's Lair, PyGate NNTP<>Fido Gate (3:633/10)
  • From BTR1701@3:633/10 to All on Mon Apr 20 17:55:59 2026
    Subject: Re: A Beloved Pioneer Story Returns, But Early Clues Suggest A Different Direction

    On Apr 20, 2026 at 1:30:44 AM PDT, "Ubiquitous" <weberm@polaris.net> wrote:

    Here is your first official look at Little House on the
    Prairie.

    Meet the Ingalls family as they discover what "home" really
    means. Little House on the Prairie, based on the beloved books,
    premieres July 9, only on Netflix. pic.twitter.com/epUjaJL3RG

    - Netflix (@netflix) April 13, 2026

    Appropriately enough, Laura's voiceover begins with the same phrase
    that opens "Little House in the Big Woods," the first novel in the autobiographical fiction Little House series, written by Laura Ingalls Wilder in 1932: "Once upon a time." Beginning the novel and now the new series with these words evokes a fairy tale quality, which the video sequence and the music behind the words support. So far, so good.
    Laura's voiceover offers a preview of the new series that is an apt
    summary of the book:

    Once upon a time, Ma and Pa and Mary and Laura left the Big
    Woods of Wisconsin and moved to the prairie, where a new life
    was waiting for them. Every day and every night was an
    adventure. And even though they were all alone, and very small
    against the sky and the stars, they were happy because they
    were a family - and they were together.

    The video sequence depicts the Ingalls family leaving the Big Woods by wagon, majestic scenes of a prairie with a river cutting through it,
    and a town teeming with people where the Ingalls girls, wearing straw
    hats, step out of their covered wagon and into the dusty streets. Laura exchanges glances with another child, perhaps meant to be from the
    Osage tribe, and Mary shares a longing look with a teenaged boy. Other scenes feature Laura and Pa running through a cornfield, Pa and Ma
    rolling a log, probably to build their cabin, and Pa joyfully swinging
    Ma around inside the completed "little house." The emotional roller
    coaster continues as Pa looks at a distraught Ma with tears in his eyes
    and the girls giggle while wearing flower crowns. The final scenes show
    the Ingalls family around a campfire against the backdrop of an
    enormous Kansas sky filled with stars while Pa plays his fiddle.

    Sounds like a fairytale version of life as a pioneer in the West.

    A much more accurate depiction of this life is the YELLOWSTONE prequel 1883.
    It was certainly not all bonnets and flower crowns.



    --- PyGate Linux v1.5.14
    * Origin: Dragon's Lair, PyGate NNTP<>Fido Gate (3:633/10)
  • From Ian J. Ball@3:633/10 to All on Mon Apr 20 20:51:17 2026
    Subject: Re: A Beloved Pioneer Story Returns, But Early Clues Suggest A Different Direction

    On 4/20/26 10:55 AM, BTR1701 wrote:

    On Apr 20, 2026 at 1:30:44 AM PDT, "Ubiquitous" <weberm@polaris.net> wrote:

    Here is your first official look at Little House on the
    Prairie.

    Meet the Ingalls family as they discover what "home" really
    means. Little House on the Prairie, based on the beloved books,
    premieres July 9, only on Netflix. pic.twitter.com/epUjaJL3RG

    - Netflix (@netflix) April 13, 2026

    Appropriately enough, Laura's voiceover begins with the same phrase
    that opens "Little House in the Big Woods," the first novel in the
    autobiographical fiction Little House series, written by Laura Ingalls
    Wilder in 1932: "Once upon a time." Beginning the novel and now the new
    series with these words evokes a fairy tale quality, which the video
    sequence and the music behind the words support. So far, so good.
    Laura's voiceover offers a preview of the new series that is an apt
    summary of the book:

    Once upon a time, Ma and Pa and Mary and Laura left the Big
    Woods of Wisconsin and moved to the prairie, where a new life
    was waiting for them. Every day and every night was an
    adventure. And even though they were all alone, and very small
    against the sky and the stars, they were happy because they
    were a family - and they were together.

    The video sequence depicts the Ingalls family leaving the Big Woods by
    wagon, majestic scenes of a prairie with a river cutting through it,
    and a town teeming with people where the Ingalls girls, wearing straw
    hats, step out of their covered wagon and into the dusty streets. Laura
    exchanges glances with another child, perhaps meant to be from the
    Osage tribe, and Mary shares a longing look with a teenaged boy. Other
    scenes feature Laura and Pa running through a cornfield, Pa and Ma
    rolling a log, probably to build their cabin, and Pa joyfully swinging
    Ma around inside the completed "little house." The emotional roller
    coaster continues as Pa looks at a distraught Ma with tears in his eyes
    and the girls giggle while wearing flower crowns. The final scenes show
    the Ingalls family around a campfire against the backdrop of an
    enormous Kansas sky filled with stars while Pa plays his fiddle.

    Sounds like a fairytale version of life as a pioneer in the West.

    A much more accurate depiction of this life is the YELLOWSTONE prequel 1883. It was certainly not all bonnets and flower crowns.

    Very tired of coverage of that time period (post-Civil War to about 1890).

    Much more interesting would be the story of pre-1820-ish settlers. This
    period is almost never covered in popular culture.





    --- PyGate Linux v1.5.14
    * Origin: Dragon's Lair, PyGate NNTP<>Fido Gate (3:633/10)